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竹柔·对白 2019 | Flexible Bamboo·Dialogue 2019

By 2019.09.182 11 月, 2021没有评论

竹柔·对白 FLEXIBLE BAMBOO·DIALOGUE 2019

章俊杰作品 DESIGN BY JUNJIE

一种曲柔，叫做“竹柔”
 
“竹柔·对白”的“柔线”的灵感来自竹纤维的曲线，圆润不娇媚，弹性不服从。原竹的柔韧天性的潜心实验，化为章俊杰的竹艺术创作。

The inspiration for the “flexible line” of “Flexible·bamboo · Dialogue” comes from the curve of bamboo fiber, which is mellow and full, not coquettish, flexible and disobedient. This is an important part of the design experiment of the flexible line in the creation of Zhang Junjie’s “flexible bamboo” series of art furniture.

几许线条，流转成体

三条主要形体线条顺势而动，牵引出简洁、微妙、边界融合的曲面，它们构成了整个艺术坐具的非对称轮廓，勾勒出靠桌、靠背、坐面等功能实体。The three main lines follow the trend to move, drawing simple, subtle, boundary-blended surfaces, which form the asymmetrical contour of the entire art seat, and are connected in series to the functional areas such as the table, backrest, and sitting surface.

detial

右上左下，相向而坐

 
古人施拱手之礼时，双手右上左下。当两人面对面交流时，左右相对，信息交错。
When the ancients saluted with joined hands, the right hand was in the upper position and the left hand was in lower position. When the two people communicate face to face, the left and right directions are also contrary, and the information exchange is thus overlapping.

自在平衡，内内外外

这组作品引人思索，在人与人的信息交互中，如何让自己的内心与外界形成动态而平衡的关系。

This group of works is thought provoking, how to make a dynamic and balanced relationship between the heart and the outside information.

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